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Bend Sinister, an Album by The Fall. Released 29 September 1986 on (catalog no. BEGA75; Vinyl LP). Genres: Post-Punk. Rated #52 in the best albums of 1986, and #4409 in the greatest all-time album chart (according to RYM users). As one of The Fall’s many great albums, Bend Sinister, turns thirty this September. Getintothis ’ Will Neville muses on the band’s impact on the music scene, both then and now. 2016 has been a year of both tragic musical losses, and milestone anniversaries – fifty years since Pet Sounds and Revolver, forty since Ramones and The Modern Lovers and 25 since Nevermind and Loveless.

Hxxp://www.megaupload.com/?d=22XLFWD0 This is not a live album! I didn't check it out for years because I thought it was. The Fall hadn't really found their sound yet, but the songwriting (and cheap keyboards) were there from the beginning. It has a cleaner production than any other Fall record of that era, and is oddly accessible; highlights include Rebellious Jukebox, which is one of the more tuneful songs from the band's beginning; Industrial Estate, which gets by on the brilliantly simple refrain of 'yeah yeah, Industrial Estate'; and 'Music Scene', a long rant set to minimalistic guitar playing and a simple bassline, for 8 minutes!

I'd recommend getting the expanded edition, for the first disc, at least; it includes early singles like Bingo Master's Breakout!, Reptition, Psycho Mafia, and others. The second disk has some Peel Sessions that are in the box set, and a very poorly recorded concert from Liverpool. It sounds like it was recorded with a boombox, and knowing the Fall, it probably was.

Dragnet - 7.5/10. Hxxp://www.megaupload.com/?d=BILQDD1A Despite being recorded only 8 months after Live at the Witch Trials, it manages to simultaneously sound worse sonically, but more like a traditional Fall record. Founding member Martin Bramah left, and took his cleaner guitar playing with him. Craig Scanlon took his place, and the band added a new bassist, too; Steve Hanley. It's a strange album, it almost feels like a step backwards in songwriting, with songs like 'Printhead' and 'Choc Stock' being more straight forward punk than anything on Live at the Witch Trials, but it's a good Fall album regardless, and a good early look at the partnership of Marc Riley and Craig Scanlon. There are definitely some winners here though; 'Spectre vs Rectre' sounds menacing and dark, complete with out of tune guitars, and 'Psykick Dance Hall' has an infectious opening riff.

Better things would come later, though! The reissue I have is essential for 'Rowche Rumble' and 'Fiery Jack'. Highly recommended over the original release, but it does have way too many takes of 'Rowche Rumble' The 1980s: Definitely the best decade for the Fall.

They get on a run with 'Grotesque' and it doesn't really end until 'I Am Kurious Oranj'. Their output in the first half of the decade is particularly amazing and some of the best albums of the decade, if not all time. This is where you should start. Grotesque (After the Gramme) - 9/10. Hxxp://www.megaupload.com/?d=LLMKMNDI -The first amazing Fall Album! MES was always influenced by Rockabilly, but it's a really big deal for this album. 'New Face in Hell' will sound familiar to any fan of Pavement's 'Conduit for Sale,' 'CnC's Mithering' is top 10 Fall tune, a hilarious endictment of the American music culture.